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I
try to illustrate the form and texture of the landscape through careful
and tight composition that isolates the main object of the image from its
environment. The result can be anything from a very simple
& highly graphic image to one that is immensely detailed and textured
throughout. I work in colour, but the nature of the images and the
light that I seek out renders the majority of my images almost
monochromatic with just subtle colouring to enhance the mood.
Capture is 100% digital, leaving me free to capture the many subtle
variations in light that can occur over very short periods without the
restrictions, or cost, of film. I print all of my own images with
very little manipulation post-capture. The only manipulation I tend
to use is equivalent to that which would be carried out in the traditional
darkroom. Printing is with pigment inks on high quality art papers,
ensuring the very best archival qualities. The choice of paper each
image is printed on is as integral and vital to the finished product as
any other part of the process. Consequently much time can be spent
choosing exactly the right paper for each individual print or series of
prints. I prefer to produce work in series rather than as one-off
individual images, the better to convey the atmosphere and emotion of the
occasion.
I
left a desk-based job in June 2008 to pursue my love of photography full
time. To help with this I moved from West Sussex to the Peak
District and have found the landscape and the light to be truly
inspirational. The move was initially for a trial period to see how
my wife and I got on 'up north'. After just a few short months there
is no doubt that this move will be permanent.
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